Online edition of India's National Newspaper
Friday, Jul 29, 2005
Google

Entertainment Chennai and Tamil Nadu
Published on Fridays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Printer Friendly Page Send this Article to a Friend

Bharati and Arjuna, comparative study

B. RAMADEVI

The members of Chinmaya Yuwa Kendra, Coimbatore, presented a short play on the life of Bharati.

Bharathiar was an enigma when he lived. Many books have been written and movies made to unravel the mystery that was Bharati. But there are still many hidden aspects of his personality.

The members of Chinmaya Yuwa Kendra, Coimbatore, presented `Bharathiyin Geethai,' a light and sound show at Corporation Kalaiarangam recently as a homage to His Holiness Tejomayanandaji, (spiritual head of the Chinmaya centres, worldwide), on his birthday. They analysed Bharathiar's life from a totally different angle and traced his spiritual growth bringing an analogy with Arjuna. Bharathi had been a continuous seeker like Arjuna and his interest and faith in the Gita were great. As he continued to study the Gita, he found new meanings and this brought about a change in his style of thinking and living.

The play was an attempt to show how the Gita weaned Bharathi from mundane things. If Arjuna was despondent before the war began, Bharathi was confused by the personal, social and political problems he faced.

Arjuna pleads to Krishna to accept him as a disciple and dispel his ignorance in the sloka `Kaarpanya doshopahatha swabhava:' Bharathi, implores Sakthi, to show him the right path in the song, `Mogaththai konruvidu allaal endran moochchai niruththi vidu'.

Turning point

Bharathi's chance encounter with a yogi proves to be a turning point. He asks the yogi why he is carrying the bundle of garbage on his back, and gets the reply, "You are carrying the old garbage inside you." (Agaththe pazhankuppaiyai sumakkiraai nee). The veil lifts and he is able to see the Absolute in everything and sings `Kaakkai Chiraginile,' rising to the level of what the Gita describes as `Sarvathra samadarshana.'

Towards the end, the silhouette of Bharathi merges into that of Sri Krishna and the play is given a dramatic conclusion.

The selection and the recitation of the relevant slokas at the appropriate context are really commendable. A Tamil translation would have proved very helpful for those who could not follow Sanskrit. The compering was excellent. The children presented a good show with the able and supportive role of the teachers.

Printer friendly page  
Send this article to Friends by E-Mail

Entertainment    Bangalore    Chennai and Tamil Nadu    Delhi    Hyderabad    Thiruvananthapuram   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | The Hindu Images | Home |

Comments to : thehindu@vsnl.com   Copyright © 2005, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu